Asta: 533 / Modern Art Day Sale and Gerlinger Collection del 10 dicembre 2022 a Monaco di Baviera 
Lot 459
Lot 459
Cornice
Raumbeispiel
459
Karl Schmidt-Rottluff
Kurhäuser im Seenebel, 1909.
Watercolor
Stima:
€ 30,000 / $ 32,100 Risultato:
€ 62,500 / $ 66,875 ( commissione inclusa)
Kurhäuser im Seenebel. 1909.
Watercolor.
Lower right signed and dated. On wove paper (with watermark "S [Mühle] S"). 50 x 65.6 cm (19.6 x 25.8 in).
[KT].
• Stirring depicition of the Dangast coast.
• Prime example of the increased significance that the watercolor began to have for Schmidt-Rottluff as of the year 1909.
• Originally part of the Collection Dr. Victor and Hedda Peters, renowned col
lectors, patrons and friends of Schmidt-Rottluff.
• Works from the very important creative period in Dangast are very rare on the international auction market (source: artprice.com).
The work is documented in the archive of the Karl and Emy Schmidt-Rottluff Foundation, Berlin.
PROVENANCE: Collection Dr. Victor and Hedda Peters, Leipzig.
Private collection (acquired from Lempertz in 1962).
Collection Hermann Gerlinger, Würzburg (with the collector's stamp Lugt 6032).
EXHIBITION: Dangaster Künstler (Erich Heckel, Franz Radziwill, Karl Schmidt-Rottluff), Vereinigung für junge Kunst, Kunsthandlung Oncken im Lappan, Oldenburg, May/June 1922.
Maler der Brücke in Dangast von 1907 bis 1912. Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emma Ritter, Oldenburger Kunstverein, June 2 - June 30, 1957, no. 102.
Karl Schmidt-Rottluff zum 100. Geburtstag, Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig, June 3 - August 12, 1984, cat. no. 82 (with illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Collection Hermann Gerlinger, 1995-2001).
Expressionisten in Dangast, Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emma Ritter, Franz Radziwill, Franz-Radziwill-Haus, Dangast, July 12 - Ocotber 25. 1998, p. 103 (with illu.).
Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Collection Hermann Gerlinger, 2001-2017).
Die Brücke in Dresden. 1905-1911, Dresdner Schloss, Staatliche Kunstsammlungen Dresden, Galerie Neue Meister, October 20, 2001 - January 6, 2002, cat. no. 333 (with illu.).
Im Rhythmus der Natur: Landschaftsmalerei der "Brücke". Meisterwerke der Sammlung Hermann Gerlinger, Städtische Galerie, Ravensburg, October 28, 2006 - January 28, 2007, p. 78 (with illu.).
Expressiv! Die Künstler der Brücke. Die Sammlung Hermann Gerlinger, Albertina Vienna, June 1 - August 26, 2007, cat. no. 9 (with illu.).
Buchheim Museum, Bernried (permanent loan from the Collection Hermann Gerlinger, 2017-2022).
Schmidt-Rottluff. Form, Farbe, Ausdruck!, Buchheim Museum, Bernried, September 29, 2018 - February 3, 2019, p. 138 (with illu.).
LITERATURE: Kunsthaus Lempertz, Cologne, 469th auction, June 20, 1962, lot 642 (with black-and-white illu.).
Gerhard Wietek, Schmidt-Rottluff. Oldenburger Jahre 1907-1912, Mainz 1995, p. 304, no. 46 (with illu.).
Heinz Spielmann (ed.), Die Maler der Brücke. Collection Hermann Gerlinger, Stuttgart 1995, p. 215, SHG no. 280 (with illu.).
Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 42, SHG no. 58 (with illu.).
Hermann Gerlinger, Katja Schneider (eds.), Gemeinsames Ziel und eigene Wege. Die "Brücke" und ihr Nachwirken, Munich 2009, p. 55, illu. 5.
Gloria Köpnick, Avantgarde in der Provinz. Die Vereinigung für junge Kunst Oldenburg (1922-1933), PhD thesis, Martin-Luther-Universität Halle-Wittenberg 2020, p. 66.
Watercolor.
Lower right signed and dated. On wove paper (with watermark "S [Mühle] S"). 50 x 65.6 cm (19.6 x 25.8 in).
[KT].
• Stirring depicition of the Dangast coast.
• Prime example of the increased significance that the watercolor began to have for Schmidt-Rottluff as of the year 1909.
• Originally part of the Collection Dr. Victor and Hedda Peters, renowned col
lectors, patrons and friends of Schmidt-Rottluff.
• Works from the very important creative period in Dangast are very rare on the international auction market (source: artprice.com).
The work is documented in the archive of the Karl and Emy Schmidt-Rottluff Foundation, Berlin.
PROVENANCE: Collection Dr. Victor and Hedda Peters, Leipzig.
Private collection (acquired from Lempertz in 1962).
Collection Hermann Gerlinger, Würzburg (with the collector's stamp Lugt 6032).
EXHIBITION: Dangaster Künstler (Erich Heckel, Franz Radziwill, Karl Schmidt-Rottluff), Vereinigung für junge Kunst, Kunsthandlung Oncken im Lappan, Oldenburg, May/June 1922.
Maler der Brücke in Dangast von 1907 bis 1912. Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emma Ritter, Oldenburger Kunstverein, June 2 - June 30, 1957, no. 102.
Karl Schmidt-Rottluff zum 100. Geburtstag, Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig, June 3 - August 12, 1984, cat. no. 82 (with illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Collection Hermann Gerlinger, 1995-2001).
Expressionisten in Dangast, Karl Schmidt-Rottluff, Erich Heckel, Max Pechstein, Emma Ritter, Franz Radziwill, Franz-Radziwill-Haus, Dangast, July 12 - Ocotber 25. 1998, p. 103 (with illu.).
Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Collection Hermann Gerlinger, 2001-2017).
Die Brücke in Dresden. 1905-1911, Dresdner Schloss, Staatliche Kunstsammlungen Dresden, Galerie Neue Meister, October 20, 2001 - January 6, 2002, cat. no. 333 (with illu.).
Im Rhythmus der Natur: Landschaftsmalerei der "Brücke". Meisterwerke der Sammlung Hermann Gerlinger, Städtische Galerie, Ravensburg, October 28, 2006 - January 28, 2007, p. 78 (with illu.).
Expressiv! Die Künstler der Brücke. Die Sammlung Hermann Gerlinger, Albertina Vienna, June 1 - August 26, 2007, cat. no. 9 (with illu.).
Buchheim Museum, Bernried (permanent loan from the Collection Hermann Gerlinger, 2017-2022).
Schmidt-Rottluff. Form, Farbe, Ausdruck!, Buchheim Museum, Bernried, September 29, 2018 - February 3, 2019, p. 138 (with illu.).
LITERATURE: Kunsthaus Lempertz, Cologne, 469th auction, June 20, 1962, lot 642 (with black-and-white illu.).
Gerhard Wietek, Schmidt-Rottluff. Oldenburger Jahre 1907-1912, Mainz 1995, p. 304, no. 46 (with illu.).
Heinz Spielmann (ed.), Die Maler der Brücke. Collection Hermann Gerlinger, Stuttgart 1995, p. 215, SHG no. 280 (with illu.).
Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 42, SHG no. 58 (with illu.).
Hermann Gerlinger, Katja Schneider (eds.), Gemeinsames Ziel und eigene Wege. Die "Brücke" und ihr Nachwirken, Munich 2009, p. 55, illu. 5.
Gloria Köpnick, Avantgarde in der Provinz. Die Vereinigung für junge Kunst Oldenburg (1922-1933), PhD thesis, Martin-Luther-Universität Halle-Wittenberg 2020, p. 66.
From 1907 to 1912 Schmidt-Rottluff visited the small North Sea resort of Dangast, initially he was accompanied by Heckel or Pechstein. The simple landscape he found there, with just a few striking houses, the post house, the villa with tower, the windmill at the entrance to the town, as well as the spa houses, offered the painters an occasion to capture the incredibly intense colorfulness on canvas or paper. Schmidt-Rottluff attained a new intensity, especially in watercolors, which even makes the motif of houses in fog a color experiment. In 1909 he worked in Dangast until October, making, in addition to paintings, large watercolors characterized by a new and dynamic expressivesness owing to the watery and flowing material properties. [KT]
459
Karl Schmidt-Rottluff
Kurhäuser im Seenebel, 1909.
Watercolor
Stima:
€ 30,000 / $ 32,100 Risultato:
€ 62,500 / $ 66,875 ( commissione inclusa)