Asta: 605 / Day Sale del 13 giugno 2026 a Monaco di Baviera → Lot 125001509
Retro
Cornice
125001509
Heinz Mack
Dynamische Struktur Weiß auf Schwarz, 1960/61.
Synthetic resin on canvas
Stima: € 80,000 / $ 93,600
Le informationi sulla commissione, le tasse e il diritto di seguito saranno disponibili quattro settimane prima dell´asta.
125001509
Heinz Mack
Dynamische Struktur Weiß auf Schwarz, 1960/61.
Synthetic resin on canvas
Stima: € 80,000 / $ 93,600
Le informationi sulla commissione, le tasse e il diritto di seguito saranno disponibili quattro settimane prima dell´asta.
Heinz Mack
1931
Dynamische Struktur Weiß auf Schwarz. 1960/61.
Synthetic resin on canvas.
Signed and dated on the reverse of the canvas. 80.3 x 100 cm (31.6 x 39.3 in).
In the original frame. [KA].
• An impressive, vibrant monochrome work from the peak of the “ZERO” movement.
• With his “Dynamic Structures,” Heinz Mack developed a radical new conception of space, movement, and light in his works.
• The relief-like surface creates a compelling visual effect with a suggestive presence.
• In 1959 and 1964, Heinz Mack exhibited at documenta II and III; in 1970, he represented the Federal Republic of Germany at the 35th Venice Biennale.
• From the Deutsche Bank Collection.
• Heinz Mack is currently honored as part of the exhibition “ZERO – An International Art Movement 1957–66” at the Olaf Gulbransson Museum in Tegernsee (March–September 2026).
PROVENANCE: Galerie Ad Libitum, Antwerp (with a label on the reverse of the stretcher).
DWS Investments Collection, Frankfurt am Main.
Deutsche Bank Collection, Frankfurt am Main (since 2015).
EXHIBITION: Mack. Objekte, Aktionen, Projekte, Städtische Kunsthalle, Düsseldorf, October 20 - December 3, 1972, no cat.-number (full-page illustration on p. 32).
Mack, Musée d'art moderne de la Ville de Paris, March 9 - April 8, 1973.
LITERATURE: Robert Fleck, Heinz Mack. ZERO Malerei. Catalogue raisonné 1956-1968, Volume II, Munich 2017, CR no. 1961/9 (illustrated).
- -
Lempertz, Cologne, 744th auction, Contemporary Artt, June 6, 1997, lot 315 (illustrated in black and white, with a label on the reverse of the stretcher).
Friedrich Georg Gonzen, Olaf Salié und der Arbeitskreis Corporate Collecting im Kulturkreis der Deutschen Wirtschaft im BDV e. V., Cologne, Corporate Collections 2012, Cologne 2012, p. 167 (illustrated).
1931
Dynamische Struktur Weiß auf Schwarz. 1960/61.
Synthetic resin on canvas.
Signed and dated on the reverse of the canvas. 80.3 x 100 cm (31.6 x 39.3 in).
In the original frame. [KA].
• An impressive, vibrant monochrome work from the peak of the “ZERO” movement.
• With his “Dynamic Structures,” Heinz Mack developed a radical new conception of space, movement, and light in his works.
• The relief-like surface creates a compelling visual effect with a suggestive presence.
• In 1959 and 1964, Heinz Mack exhibited at documenta II and III; in 1970, he represented the Federal Republic of Germany at the 35th Venice Biennale.
• From the Deutsche Bank Collection.
• Heinz Mack is currently honored as part of the exhibition “ZERO – An International Art Movement 1957–66” at the Olaf Gulbransson Museum in Tegernsee (March–September 2026).
PROVENANCE: Galerie Ad Libitum, Antwerp (with a label on the reverse of the stretcher).
DWS Investments Collection, Frankfurt am Main.
Deutsche Bank Collection, Frankfurt am Main (since 2015).
EXHIBITION: Mack. Objekte, Aktionen, Projekte, Städtische Kunsthalle, Düsseldorf, October 20 - December 3, 1972, no cat.-number (full-page illustration on p. 32).
Mack, Musée d'art moderne de la Ville de Paris, March 9 - April 8, 1973.
LITERATURE: Robert Fleck, Heinz Mack. ZERO Malerei. Catalogue raisonné 1956-1968, Volume II, Munich 2017, CR no. 1961/9 (illustrated).
- -
Lempertz, Cologne, 744th auction, Contemporary Artt, June 6, 1997, lot 315 (illustrated in black and white, with a label on the reverse of the stretcher).
Friedrich Georg Gonzen, Olaf Salié und der Arbeitskreis Corporate Collecting im Kulturkreis der Deutschen Wirtschaft im BDV e. V., Cologne, Corporate Collections 2012, Cologne 2012, p. 167 (illustrated).